Eugenia Y. Lean

Eugenia Y. Lean

Research Interest

Biography

Professor Lean offers courses on modern Chinese history, history of science and technology, gender and affect, consumer culture, and cultural theory and historical methods. In her book Public Passions: The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China (University of California Press, 2007), she examines a sensational crime of female passion to document the political role of sentiment in the making of a critical urban public. In 2004–2005 Professor Lean received the ACLS/Andrew W. Mellon Fellowship for Junior Faculty and the An Wang Postdoctoral Fellowship of the Fairbank Center at Harvard University to research and complete the book project. This book was awarded the 2007 John K. Fairbank prize for the best book in modern East Asian history, given by the American Historical Association.

Professor Lean is currently researching a project titled “Manufacturing Knowledge: Chen Diexian, a Chinese Man-of-Letters in an Age of Industrial Capitalism,” which examines the cultural and intellectual dimensions of industrialization by focusing on the practices and writings of polymath Chen Diexian, a professional writer/editor, science enthusiast, and pharmaceutical industrialist. The project explores the intersection among vernacular industry, commerce, and ways of authenticating knowledge and things in an era of mass communication. She has received a Charles A. Ryskamp (ACLS) award for 2010–2011 to develop the project and has given talks on the topic at Princeton, Harvard, Yale, NYU, the National University of Singapore, the University of Chicago, Tel Aviv University, the Chemical Heritage Foundation, Academia Sinica in Taiwan, and Fudan University in Shanghai. A third book project focuses on China’s involvement in shaping twentieth-century global regimes of intellectual property rights from trademark infringement to patenting science. It investigates the local vibrant cultures of copying and authenticating in China, as well as enquires into how China emerged as a “quintessential copycat” in the modern world. She was featured in “Top Young Historians,” History News Network (fall 2008) and received the 2013-2014 Faculty Mentoring Award for faculty in Columbia’s Graduate School of Arts and Sciences. She is currently the Director of the Weatherhead East Asian Institute.

Professor Lean received her BA from Stanford (1990) and her MA and PhD (1996, 2001) from the University of California, Los Angeles. Before joining the Columbia faculty in 2002, she taught at the University of North Carolina, Chapel Hill.

Eugenia Lean, professor (EALAC), received her BA from Stanford University (1990), and her MA (1996) and PhD (2001) from UCLA. She is interested in a broad range of topics in late imperial and modern Chinese history with a particular focus on the history of science and industry, mass media, consumer culture, affect studies and gender, as well as law and urban society. She is also interested in issues of historiography and critical theory in the study of East Asia. She is the author of Public Passions: the Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China (UC Press, 2007) http://www.ucpress.edu/books/pages/10541.html, which was awarded the 2007 John K. Fairbank prize for the best book in modern East Asian history, given by the American Historical Association.

Professor Lean’s second book, Vernacular Industrialism in China: Local Innovation and Translated Technologies in the Making of a Cosmetics Empire, 1900-1940 (Columbia University Press, 2020) https://cup.columbia.edu/book/vernacular-industrialism-in-china/9780231193481, examines the manufacturing, commercial and cultural activities of maverick industrialist Chen Diexian (1879-1940). It illustrates how lettered men of early twentieth century China engaged in “vernacular industrialism,” the pursuit of industry and science outside of conventional venues that drew on the process of experimentation with both local and global practices of manufacturing and was marked by heterogeneous, often ad hoc forms of knowledge and material work. See the New Books Network for a recent podcast. A third book project focuses on China’s involvement in shaping twentieth-century global regimes of intellectual property rights from trademark infringement to patenting science. It investigates the local vibrant cultures of copying and authenticating in China, as well as enquires into how China emerged as the “quintessential copycat” in the modern world.

She was featured in “Top Young Historians,” History News Network (fall 2008) and received the 2013-2014 Faculty Mentoring Award for faculty in Columbia’s Graduate School of Arts and Sciences. She received an Institute for Advanced Studies fellowship and a National Endowment of the Humanities fellowship for 2017-2018.

Please see her website for more information.

Areas: Modern Chinese history; history of science, technology and industry; mass media; affect studies and emotions; law and society; historiography and critical theory

Publications

Books

Eugenia Lean, Public Passions: The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China (University of California Press, 2007).

林郁沁, 施剑翘复仇案-民国时期公众同情的兴起与影响 [Shi Jianqiao fuchou an – Minguo shiqi gongzhong tongqing de xingqi yu yingxiang] (Jiangsu Renmin Press, PRC, April 2011). Chinese translation of Public Passions: The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China.

Articles

Eugenia Lean, “Proofreading Science: Editing and Experimentation in Manuals by a 1930s’ Industrialist.” In Science and Technology in Republican China. Ed. Benjamin Elman and Jing Tsu. Leiden: Brill (2014): 185-208

Vernacular Industrialism in China: Local Innovation and Translated Technologies in the Making of a Cosmetics Empire, 1900-1940 (New York: Columbia University Press, 2020), https://cup.columbia.edu/book/vernacular-industrialism-in-china/9780231193481.

Rieppel, Lukas, Eugenia Lean and Deringer, William. 2018. “Introduction to Science and Capitalism: Entangled Histories.” In “Science and Capitalism: Entangled Histories.” Eds. Lukas Rieppel, William Deringer, and Eugenia Lean. Osiris. 33, no. 1 (2018): 1-24. https://doi.org/10.7916/d8-cfjh-f461

“The Making of a Chinese Copycat: Trademarks and Recipes in Early Twentieth-Century Global Science and Capitalism.” In “Science and Capitalism: Entangled Histories.” Eds. Lukas Rieppel, William Deringer, and Eugenia Lean. Osiris. 33, no. 1 (2018): 271-293. https://doi.org/10.7916/d8-cwbv-5k05

“Recipes for Men: Manufacturing Make-up and the Politics of Production in 1910s China.” In Osiris Special issue on “Masculinities in Science/Sciences of Masculinity.” Eds. Erika Milam and Robert Nye. 30.1 (Fall 2015): 134-157. https://doi.org/10.7916/d8-hg3a-t323

“The Butterfly Mark: Chen Diexian, His Brand, and Cultural Entrepreneurism in Republican China.” In The Business of Culture: Cultural Entrepreneurs in China and Southeast Asia, 1900-65. (University of British Columbia Press, 2015).

“Proofreading Science: Editing and Experimentation in Manuals by a 1930s’ Industrialist.” In Science and Technology in Republican China (Brill, 2014).